The EOS R5 is an effective match for its goal market: principally skilled customers who shoot each pictures and video for work.
Should you concentrate on stills capturing and solely often must shoot video, it is best to discover the R5 meets most of your wants. If excessive decision and professional video specs aren’t important, you may be higher off trying on the R6.
Introduced on 9 July after weeks of ‘teasers’ the pro-level EOS R5 is the brand new flagship mannequin in Canon’s mirrorless digital camera line-up. It’s outfitted with a brand new 45-megapixel CMOS sensor plus the DIGIC X processor launched within the EOS-1D X Mark III. The R5 comes with a brand new 5-axis In-Physique Picture Stabiliser, which may obtain as much as eight stops of stabilisation with lenses like the favored RF 24-105mm f/4 L IS USM which was provided for our evaluation. It’s also the primary full body mirrorless digital camera that may report 8K RAW video footage.
The EOS R5 proven with the RF24-105mm f/4L IS USM lens. (Supply: Canon.)
Because the flagship mannequin in Canon’s full body mirrorless digital camera vary, the EOS R5extends the capabilities of the present line-up, providing the best decision for each stills and video recording. The headline characteristic is the power to report 8K video in each DCI (8192 x 4320) and UHD (7680 x 4320) resolutions at as much as 30 fps in addition to 4K DCI/UHD video at 60/50/30/25/24 fps.
The R5 can even report 8K RAW video to one in every of its reminiscence playing cards – with full AF performance. The 8K video capabilities have attracted lots of media consideration, largely due to complaints concerning the digital camera heating throughout recordings.
Observe: The tech specs sheet for the R5 cautions that ‘The video recording time of the Canon EOS R5 is proscribed by warmth.’ So consumers of the digital camera can’t say they weren’t forewarned. For extra data on heaqt switch within the R5, try the most recent put up by Lens Leases right here.
Canon’s specs place a 20-minute restrict on 8K film recording, though whether or not that’s potential will rely upon ambient temperature and the way the digital camera is getting used (lengthy steady recording or a number of quick clips with gaps between them of a minute or extra). There’s additionally a really useful restrict of 25 minutes for 4K 50p recording in cropped mode and an total restrict of 29 minutes and 59 seconds for all different film modes. For the reason that EOS R5 was launched, Canon has launched a firmware replace to deal with this situation.
The brand new firmware, which will be discovered right here improves temperature detection and capturing occasions and reduces the time between sequential recordings when temporary clips are recorded and the digital camera is powered on and off repeatedly at room temperature.
Addendum: Lens Leases has simply posted a ‘teardown’ of the EOS R5 the place you possibly can learn all concerning the R5’s internal workings and see some neat close-up photographs of its innards. Click on right here to learn the put up.
Who’s it For?
The EOS R5 is priced effectively above the ‘fanatic’ degree and even larger than the unique EOS R when it was first launched. Clearly designed for photographers who shoot each pictures and video for skilled purposes, it affords larger stills decision than Canon’s skilled DSLR cameras coupled with modern video capabilities (outlined under).
Twin reminiscence card slots for CFexpress and SD playing cards plus a 2,100,000-dot vari-angle monitor and an OLED viewfinder with 5,760,000 dots will facilitate capturing video with this digital camera. Its weather-sealed magnesium alloy physique weighs solely 738 grams with battery and card, making it best for location work, together with occasions and sports activities pictures.
Construct and Ergonomics
The EOS R5 feels very stable and boasts a deep grip moulding that can go well with customers with giant arms. Its SLR-like styling marks it as a ‘critical’ digital camera, which is confirmed by the management format.
Entrance view of the EOS R5 physique with no lens fitted. (Supply: Canon.)
The entrance of the digital camera retains the uncluttered look of the EOS R collection, with the one buttons being for the lens launch and depth of area preview. An embedded LED that serves because the AF-assist/self-timer/distant management lamp is positioned between the highest of the grip and the EVF housing, with a single microphone gap beside it.
The distant management sensor is invisibly put in halfway down the grip moulding, whereas a DC coupler wire port is positioned low down on the within of the grip moulding. A terminal for a distant management wire sits behind a lift-up rubber cowl on the other aspect of the entrance panel.
The highest panel of the EOS R5 with no lens fitted. (Supply: Canon.)
In step with widespread follow, most key controls are positioned on the highest panel. The shutter button sits effectively ahead on the hand grip, with a programmable multi-function (M-Fn) button simply behind it. Urgent this button and turning the principle management dial simply behind it helps you to alter the ISO, drive, AF, white stability and flash publicity compensation settings.
The film button (recognized by a pink dot) is positioned on the place the place the highest panel steps down behind the principle dial. Behind it’s the button for lighting up the monochrome LCD knowledge show panel to its left.
A multi-function lock button is located between the film button and proper aspect strap eyelet, with the Mode button inset into the rear of the panel between it and the LCD knowledge panel. The Mode button is identical as on the unique EOS R; you merely press the button and rotate the dial to vary capturing modes.
To the left of the LCD knowledge panel is the EVF housing, which has a flash hot-shoe on high. The EVF has a 0.5 inch-type OLED display screen with 5,760,000 dots, a big step-up from the EOS R’s. As on the EOS R, the facility on/off change is a dial that’s semi-embedded within the high panel on the left of the EVF housing. Like the opposite dials, its edge is textured to supply a agency grip.
The rear panel of the EOS R5 with the monitor reversed. (Supply: Canon.)
Just like the EOS R, the R5 has a vari-angle LCD monitor, and it’s related in measurement and backbone to the unique R’s display screen. Additionally related are the touch-panel overlay and Clear View LCD II coating. Seven ranges of brightness adjustment are supplied.
Above the display screen on the left aspect of the EVF housing is the Menu button with a brand new Price/Voice memo button beside it. The contentious M-Fn bar launched on the EOS R has been disbursed with and a brand new joystick management has been added to the suitable of the EVF housing offering fast entry to AF body changes and navigation by menus and digital camera controls.
To the suitable of the monitor lies the same old cluster of controls, with the AF-On button and AF level/Index/Enlarge/Cut back button alongside the highest fringe of the thumb relaxation and a brand new Enlarge/Cut back button under it.
Additional down are the Information and Q Menu buttons, whereas under them lies a standard arrow pad with a central SET button. The Playback and Delete buttons are positioned under the arrow pad near the bottom of the digital camera physique.
The twin card slots within the EOS R5, one for CFexpress playing cards and the opposite for SD playing cards. (Supply: Canon.)
Twin reminiscence card slots – one for quick CFexpress playing cards and the opposite for SD playing cards with UHS-1 and UHS-II compatibility – are positioned in the usual place on the suitable hand aspect panel. Customers can decide which file format is recorded on which card for each stills and films.
The shutter mechanism will be pushed mechanically or electronically and covers a spread from 30 seconds to 1/8000 second in addition to a Bulb mode with the mechanical shutter. Flash sync velocity is as much as 1/200 second for the mechanical shutter and 1/250 second with the digital first curtain synch shutter. (Flash pictures shouldn’t be supported with the all-electronic shutter mode.)
The R5 can report a steady burst of frames at as much as 12 fps with the mechanical shutter or 20 fps with the digital shutter, which additionally helps silent capturing. Buffer capacities rely upon the cardboard used, with the CFexpress card accepting a most of 350 JPEG or HEIF frames, 180 CR3.RAW information or 260 Compressed C-RAW information or 190 JPEGs or HEIFs, 66 uncooked information or 130 C-RAW frames for an SD card.
A number of exposures are supported for JPEG and HEIF file codecs and customers can set the variety of exposures (2-9), publicity variations and the way the frames are mixed. The R5 additionally permits a CR3.RAW file to be set as the primary single publicity and have it stay intact when subsequent photographs are merged. HDR recording can also be obtainable, with three photographs recorded at totally different exposures and merged mechanically.
The left aspect panel has three lift-up covers that defend the USB and HDMI terminals in addition to the microphone and headphone ports and PC terminal. These connections allow the R5 for use in skilled video rigs.
The microphone jack will also be used to report voice memos with pictures, though the digital camera’s built-in microphone must be greater than satisfactory for this process. Recordings will be performed again through the digital camera or a pc.
A brand new LP-E6N battery slots into the bottom of the hand grip. It’s CIPA rated for about 320 pictures/cost or 550 pictures/cost in Eco mode. A separate battery charger is provided with the digital camera however you can too cost the battery within the digital camera through the elective PD-E1 USB energy Adapter.
The R5 additionally helps dual-band 2.4/5Ghz Wi-Fi in addition to low-energy Bluetooth connectivity. A metal-lined tripod socket is positioned within the base of the digital camera according to the optical axis of the lens. The physique carries a ‘Made in Japan’ label.
Focusing and IBIS
The R5 has an up to date Twin Pixel CMOS AF system with 5940 manually-selectable AF factors protecting the complete body. This array will be break up into 1053 AF zones and the system is rated to -6EV with most lenses, making it usable in extraordinarily low gentle ranges. Contact & Drag AF makes it straightforward to pinpoint focus, each when capturing in Stay View mode. Focus pulling can also be potential through the contact panel when capturing video.
Manually-selectable AF modes embody as Spot or Single-point AF, whereas auto AT in film mode lets customers choose from 819 AF areas in a 39 x 21 dot array. AF monitoring efficiency has been improved with new Deep Studying-based topic detection capabilities plus face and eye monitoring for individuals and animals (particularly canine, cats and birds).
The R5 offers the usual suites of focus mode picks inside its One Shot and Servo (steady) operation modes. Customers can select from all kinds of monitoring strategies and focus level/space picks and focusing aids (peaking). Tapping the magnifier button will enlarge the body be 6x or 15x for checking focus.
The orientation linked AF level lets customers apply separate AF factors for vertical and horizontal capturing. Focus affirmation switches the AF level from pink to inexperienced as focus is achieved.
In-Physique Picture Stabilisation (IBIS) makes its first look in an R-series digital camera providing with as much as 8 stops of rated correction with lenses just like the RF 24-105mm f/4 L IS USM lens provided for our evaluation. Lenses just like the RF 24-240mm and RF 70-200mm zoom lenses can handle 6.5 stops and seven.5 stops of IS, respectively.
Extra digital stabilisation is accessible in film mode, achieved by body cropping. Nevertheless it solely works with a stabilised lens the lens-based system is switched on. It would, nonetheless, work with non-IS lenses however not with telephoto lenses longer then 1000mm.
Sensor and Picture Processing
The 36 x 24 mm CMOS sensor within the EOS R5 was developed by Canon for the brand new digital camera and has roughly 47 million photosites, offering an efficient decision of 45 megapixels, the best so far in a Canon mirrorless digital camera. It’s put in behind a hard and fast optical low-pass filter and paired with the most recent DIG!C X processor.
This partnership helps high-speed 20 fps steady capturing with Servo AF and at full-resolution plus 8K DCI/UHD video recording at as much as 30 fps in addition to 4K DCI/UHD video at 60/50/30/25/24 fps. Along with the common JPEG and 14-bit CR3.RAW file codecs, the R5 additionally 10-bit HEIF format seize, an choice launched within the EOS-1D X Mark III. You could find out extra about this new file format right here.
It additionally affords the compressed C-RAW, in addition to Canon’s Twin Pixel RAW format and simultaneous seize of RAW+JPEG or RAW+HEIF photographs.
The desk under reveals the file sizes and buffer capacities for photographs captured with the default 3:2 facet ratio.
|Picture format||High quality||Pixels||File measurement||Max. burst|
|SD card||CFexpress card|
|JPEG||Massive/High-quality||8192 x 5464||13.5MB||190||350|
|Medium/High-quality||5808 x 3872||7.8MB||320||350|
|Small 1/High-quality||4176 x 2784||4.7MB||330||150|
|Small 2||2400 x 1600||1.8MB||340||350|
|HEIF||Massive/High-quality||8192 x 5464||13.4MB||190||280|
|Medium/High-quality||5808 x 3872||8.3MB||310||310|
|Small 1/High-quality||4176 x 2784||5.1MB||340||350|
|Small 2||2400 x 1600||1.8MB||340||360|
|RAW||Uncooked||8192 x 5464||45.4MB||66||180|
The R5’s video recording capabilities take it effectively past these of Canon’s present mirrorless and DSLR cameras and strategy these of Canon’s Cinema EOS line. To interact the film mode you press the Mode button after which the Information button to modify between stills and video recording.
Whether or not you’re recording motion pictures or stills, many of the similar controls and settings will apply. The touchscreen monitor or the entrance management dial is used to decide on between Auto, P, Av, Television, M and one of many three Customized modes and focus, white stability and Image Model changes are primarily the identical for stills and film seize. Film Servo AF is the default for video recording
Canon Log and HDR PQ recording modes can be found for capturing motion pictures with a large dynamic vary to facilitate post-processing. Which one you select will rely upon how your footage might be processed. Canon Log is a proprietary format, whereas HDR PQ makes use of a extra ‘common’ perceptual quantiser switch operate that may be simpler to show on sure screens.
Leaving heating points apart, whichever capturing mode you determine to make use of, the 8K recording capabilities are spectacular and the R5 can report with each the ‘cinema’ DCI and UHD facet ratios, which produce body sizes of 8192 x 4320 and 7680 x 4320 pixels, respectively. The R5 can even report 8K RAW video to one in every of its reminiscence playing cards – with full AF performance.
That’s 35.4 megapixels and 33.2 megapixels, respectively per body – an enormous quantity of knowledge to course of at as much as 30 frames/second. It’s fairly exceptional that the digital camera’s picture processor can hold its cool for so long as it does. (We discovered no points when conducting our video assessments, though the entire clips we shot had been lower than two minutes in size.)
However that’s removed from the restrict for 8K recording because the R5 can report 10-bit 8K RAW video internally to the CFexpress card – with full AF performance. Solely DCI (8192 x 4320) format is accessible with this mode. Common 8K video makes use of the H.265/HEVC compression format, whereas the 4K and Full HD modes depend on H.264/MPEG-4 for 4:2:0 8-bit or H.265/HEVC for 10-bit modes. ALL-I and IPB compression modes can be found for all recording modes.
Dealing with such portions of knowledge will problem the digital camera’s storage capacities. Solely three minutes of 8K DCI RAW recording will refill 64GB of cupboard space on a card or hooked up drive. This could lengthen to 6 minutes in case you don’t use the RAW video format and as much as 18 minutes in case you report with IPB compression quite than ALL-I.
Both means, it ought to make you suppose critically about storage and when (or whether or not) clips must be saved on reminiscence playing cards. By default, the R5 will save video to the CFexpress card slot and, whereas these playing cards are fairly available, they’re removed from low-cost. The bottom value we present in a web-based seek for 64GB playing cards was round AU$280 every, with common course of nearer to AU$350 for this capability. Playing cards with 256GHB and 512GB capacities are priced at round AU$850 and AU$1300, respectively.
The choices for 4K video are fairly in depth with each DCI (4096 x 2160) and UHD (3840 x 2160) facet ratios and ALL-I and IPB compression modes supported at body charges starting from 25 fps by to 100 fps for PAL system customers. Customers can select between recording with the complete sensor width or with a cropped format. A particular 4K Excessive High quality setting is accessible primarily based upon downsampled 8K readout.
FHD video will also be recorded at 50p and 25p and an IPB Mild compression mode is accessible for 25p recording. Twin Pixel CMOS AF is accessible for all recording modes, together with 8K and the digital camera helps 8K time-lapse film recording to the CFexpress card.
Time-lapse motion pictures will be recorded with 8K UHD, 4K UHD or Full HD decision and the digital camera will mechanically match the body charge to the video system setting (PAL or NTSC). The digital camera defaults to YCbCr 4:2:0 (8-bit) color sampling and the BT.709 color area for all recordings.
Customers can set the interval and the variety of pictures to be taken in a sequence and switch the display screen show off through the recording time. An preliminary take a look at shot will be captured to examine publicity ranges and deciding on auto publicity permits the digital camera to meter the scene earlier than every body is recorded.
The interval timer will also be used to report a sequence of stills and customers can specify the interval throughout a spread of 00:00:01 to 99:59:59 minutes and the variety of pictures to be taken throughout a spread of 0 to 99. Setting this operate to 00 will hold the digital camera recording indefinitely.
Playback and Software program
All the usual playback modes can be found, from single picture (with and with out capturing knowledge) to index shows (9, 36 or 100 thumbnails). Chosen photographs will be magnified 2x, 4x, 8x or 10x by contact/unfold or with the magnifier button. Customers can flick thru photographs with the star button or by rotating the fast management dial or flipping between frames.
Primary modifying controls can be found for each uncooked information and films in playback mode and customers can ‘seize’ particular person frames from 4K and 8K video clips and save them as JPEGs. Body grabs from HDR motion pictures might be saved at HEIF photographs. The HDMI out terminal permits the digital camera to be linked to a TV set to playback recorded slideshows or film clips.
As is common, the software program bundle should be downloaded from Canon’s web site. Functions embody EOS Utility, Digital Photograph Skilled, Image Model Editor and GPS Log File Utility.
Our Imatest evaluations, which had been made with the RF 24-105mm f/4L IS USM lens, confirmed decision got here near assembly expectations for the digital camera’s 45-megapixel sensor with JPEG information. CR3.RAW information, which had been transformed into 16-bit TIFF format with Adobe Digicam Uncooked, our most well-liked file converter, comfortably exceeded expectations.
As proven within the graph of our take a look at outcomes above, JPEG decision remained excessive from ISO 50 by to ISO 6400 earlier than a gradual decline by to ISO 102400. Outcomes for CR3.RAW information adopted the identical normal sample however with larger decision initially however coming nearer to the JPEG outcomes by the top of the ISO vary.
Imatest confirmed color accuracy to be pretty much as good because it was with the EOS R, with equally constrained saturation and few color shifts. Uncooked information transformed into TIFF format with Adobe Digicam Uncooked had barely higher color accuracy than JPEGs and close-to-natural saturation ranges.
Lengthy exposures at night time loads of element and their color copy mirrored ambient lighting all through the sensitivity vary. Noise grew to become seen at ISO 12800 on and softening might be seen at round ISO 51200. Blocked-up shadows might be seen in exposures on the ISO 51200 and ISO 102400 settings.
With no flash we may solely take a look at the evaluation digital camera with tungsten, fluorescent and warm-toned LED lights. Just like the EOS R, the R5’s auto setting offers two choices: atmosphere precedence (which retains heat color casts) and white precedence, the latter lowering heat color casts in favour of a whiter stability.
As we discovered with the EOS R, neither of those settings will get rid of the nice and cozy solid of both incandescent or warm-toned LED lighting, though the white precedence setting does cut back it. As anticipated, each settings delivered close-to impartial colors underneath white fluorescent lighting and all of the pre-sets tended to over-correct.
Happily, the R5 was in a position to ship close-to impartial colors underneath each warm-toned lights when guide WB measurement was used. The digital camera additionally offers Kelvin temperature changes together with loads of in-camera changes for tweaking colors on-the-fly, that are easy to make use of.
Autofocusing was constantly quick and correct when capturing each stills and video clips. The R5’s AF system carried out effectively in very low gentle ranges and was in a position to observe transferring topics very effectively – even when the principle topic modified course and when a further topic moved into or out of a body.
Video clips had been spectacular with loads of particulars recorded together with natural-looking color and tonal balances. Nonetheless frames from 8K clips contained greater than sufficient decision to allow printing at A2 measurement (297 x 420 mm) and, although the information had been 8-bit JPEGs, tonal copy was adequate to supply a nuanced tonal vary.
Most of our video clips had been recorded with the RF 24-240mm f/4-6.3 IS USM zoom lens which supplied a usefully giant distance between the topic and the photographer. We had no issues sustaining focus and publicity with this lens and observed no extraneous digital camera noises within the soundtracks of video clips recorded whereas capturing transferring topics.
Our timing assessments had been carried out with a 512GB SanDisk Excessive PRO CFexpress card, which claims learn/write occasions of 1700MB/s and 1400MB/s, respectively. The evaluation digital camera took roughly a second to power-up prepared for capturing, which is about twice as quick because the EOS R we examined.
Common seize lag was roughly 0.16 seconds, which was eradicated when the lens was pre-focused. It took a median of 0.16 seconds to course of a single JPEG or CR3.RAW file and 0.18 seconds for a RAW+JPEG pair. Shot-to-shot occasions averaged 0.3 seconds, which is as quick as we may hold urgent the shutter button.
Within the high-speed steady capturing mode with the digital shutter, the digital camera was in a position to report 147 Massive/High-quality JPEGs in 8.1 seconds, which is best than the required 20 frames/second body charge. It took 9.4 seconds to clear the buffer reminiscence.
With the mechanical shutter, the digital camera recorded 54 frames in 5.2 seconds, which is near the required 12 fps body charge. It took 3.1 seconds to clear the buffer reminiscence.
For RAW+JPEG file seize with the mechanical shutter, the digital camera recorded 141 pictures in 9.4 seconds, which has similarities to the speed as we discovered with JPEGs. It took 3.2 seconds to course of this burst.
As with the EOS R, Twin Pixel Uncooked capturing is simply supported at low body charges and information look like processed on-the-fly. We measured a median body charge of three.5 fps on this mode with each CR3.RAW information alone and for RAW+JPEG pairs.
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Picture sensor: 36 x 24 mm CMOS sensor with roughly 47 million photosites (45.0 megapixels efficient), Bayer RGB main color filters and glued low-pass filter; appropriate with Twin Pixel CMOS AF; Pixel Unit = approx. 6.56 µm sq.
Picture processor: DIGIC X
Lens mount: Canon RF
Side ratio: 3:2
Picture codecs: Stills: JPEG (DCF Ver. 2.0, Exif Ver. 2.31), HEIF, CR3.RAW, C-RAW, RAW+JPEG, RAW/C-RAW and JPEG/HEIF simultaneous recording; Films: MPEG-4, H.264, H.265, All-I & IPB compression; Canon Log 10-bit inside (card) recording
Audio: Linear PCM Stereo
Picture Sizes: Stills – 5472 x 3648, 4368 x 2912, 3648 x 2432, 2736 x 1824; Films: MP4 – 8K DCI/UHD (8192 x 4320 / 7680 x 4320 @ 30p, 25p, 24p ) max. 1300Mbps; 4K DCI/UHD (4096 x 2160 / 3840 x 2160 @ 60p/50p/25p) max.1880Mbps, 1920 x 1080 @ 100p/50p25p
Picture Stabilisation:. Sensor shift (as much as 8 stops); Film digital IS
Mud management: Self-cleaning sensor unit plus Mud Delete Knowledge acquisition and appending
Shutter (velocity vary): Electronically managed focal-plane shutter with digital first curtain; (30-1/8000 seconds plus Bulb; X-sync with mechanical shutter: 1/200 sec. elec. 1st-curtain: 1/250 sec.
Publicity Compensation: +/- 3EV in 1/3EV or 1/2EV steps
Publicity bracketing: +/- 3EV in 1/3EV or 1/2EV steps
Different bracketing choices: Focus,
Self-timer: 2 or 10 seconds delay
Interval recording: Sure, for time-lapse for 8K / 4K / FHD motion pictures
Focus system: Twin Pixel CMOS AF with 6072 selectable AF level positions; 39 x 27 (1053 divisions), 100% body protection
AF choice: Face/Eye Detection / Face+Monitoring / Topic monitoring (Folks / Animals / No precedence) / Spot AF, 1-point AF, Expands AF space, Zone AF (9×9, 9×21, 31×9), brightness vary EV –6.5 to twenty for stills, EV –5 to twenty for motion pictures
Focus modes: AFS (Single) / AFF (Versatile) / AFC (Steady) / MF
Publicity metering: -zone multi-pattern sensing system with A number of, Centre-weighted common and spot metering patterns
Capturing modes: Stills – Scene Clever Auto, Versatile-priority AE (Fv), Program AE (P), Shutter-priority AE (Television), Aperture-priority AE Av), Handbook publicity (M), Bulb, Customized capturing mode C1, C2, C3 (Security shift potential in Television and Av modes); Films – A+/Film auto publicity/Film guide publicity
Image Model modes: Auto, Commonplace, Portrait, Panorama, High-quality Detai, Impartial, Devoted, Monochrome, Person Outlined 1–3
Capturing aids: Zebra show for video:
Color area choices: sRGB and Adobe RGB
ISO vary: Auto, ISO 100 to ISO 51200 with enlargement to ISO 50 and ISO 102400; Films – ISO 100-25600 with enlargement to ISO 51200
White stability: Auto (Atmosphere precedence/White precedence). Daylight, Shade, Cloudy, Tungsten gentle, White fluorescent gentle, Flash, Customized (Customized WB), Color temperature; WB adjustment of +/-9 ranges Blue/amber bias or Magenta/inexperienced bias
Flash: Exterior flash solely with atmosphere precedence, commonplace, flash precedence
Flash modes: Steady capturing precedence (CSP) mode, Security FE, E-TTL stability
Flash publicity adjustment: +/- 3EV in 1/3EV or 1/2EV steps
Sequence capturing: Max. 20 pictures/sec. with AF /AE (digital shutter); 12 fps with mechanical shutter + digital first-curtain
Buffer capability: Max. 350 Massive/High-quality JPEGs, 180 RAW information with CFexpress high-speed card; 190 Massive/High-quality JPEGs, 66 RAW information with SD card
Storage Media: Twin slots for CFexpress and SD, SDHC, SDXC playing cards (UHS-II appropriate)
Viewfinder: OLED color EVF with 5,760,000 dots; 119.88 fps refresh charge; approx. 0.76x magnification, 23 mm eyepoint, -4.0 to + 2.0 dpt adjustment
LCD monitor: 3.0-inch (display screen facet ratio of three:2) Clear View LCD II with 2,100,000 dots; touch-screen operation
Interface terminals: USB-C (v. 3.1 Gen 2). HDMI micro OUT terminal Kind D, 3.5mm microphone and headphone terminals, distant terminal (E3 sort)
Wi-Fi operate: Constructed-in (IEEE 802.11b/g/n) 2.4GHz; Bluetooth 4.2
Energy provide: LPE-6NH rechargeable Li-ion battery; CIPA rated for approx. 360 pictures/cost
Dimensions (wxhxd): Approx. 138.5 x 97.5 x 88.0 mm
Weight: Approx. 650 grams physique solely, 738 grams with battery and card
Distributor: Canon Australia; 1800 021 167
Primarily based on JPEG information:
Primarily based on CR3.RAW information transformed into 16-bit TIFF format with Adobe Digicam Uncooked:
Auto white stability atmosphere precedence mode with incandescent lighting.
Auto white stability white precedence mode with incandescent lighting.
Auto white stability atmosphere precedence mode with fluorescent lighting.
Auto white stability atmosphere precedence mode with warm-toned LED lighting.
Auto white stability white precedence mode with warm-toned LED lighting.
ISO 50, 61mm focal size, 30 second publicity at f/4.
ISO 100, 61mm focal size, 25 second publicity at f/4.
ISO 800, 61mm focal size, 15 second publicity at f/5.6.
ISO 6400, 61mm focal size, 6 second publicity at f/8.
ISO 12800, 61mm focal size, 3 second publicity at f/8.
ISO 25600, 61mm focal size, 2 second publicity at f/10.
ISO 51200, 61mm focal size, 2 second publicity at f/16.
ISO 102400, 61mm focal size, 1.3 second publicity at f/22.
Shut-up at 24mm focal size, ISO 100, 1/800 second publicity at f/4.
Shut-up at 105mm focal size, ISO 100, 1/640 second publicity at f/4.
Robust backlighting; 42mm focal size, ISO 100, 1/1250 second publicity at f/8.
Flare; 24mm focal size, ISO 100, 1/30 second publicity at f/5.
Stabilisation take a look at; 105mm focal size, ISO 100, 1/4 second publicity at f/4.5.
35mm focal size, ISO 100, 0.8 second publicity at f/8.
24mm focal size, ISO 100, 1/10 second publicity at f/8.
Shut-up in dim lighting; 53mm focal size, ISO 100, 1/5 second publicity at f/4.
70mm focal size, ISO 100, 1/30 second publicity at f/7.1.
105mm focal size, ISO 800, 1/100 second publicity at f/6.3.
63mm focal size, ISO 50, 1/640 second publicity at f/4.5.
105mm focal size, ISO 200, 1/250 second publicity at f/5.6.
105mm focal size, ISO 1600, 1/640 second publicity at f/5.6.
The clips under from which the body grabs had been taken had been recorded with the RF 24-240mm f/4-6.3 IS USM zoom lens.
Nonetheless body from DCI 8K video clip taken at 25p.
Nonetheless body from UHD 8K video clip taken at 25p.
Nonetheless body from DCI 4K video clip taken at 50p.
Nonetheless body from UHD 4K video clip taken at 50p.
Nonetheless body from DCI 4K video clip taken with 25p.
Nonetheless body from UHD 4K video clip taken with 25p.
Nonetheless body from Full HD 1080 video clip taken with 50p.
Nonetheless body from Full HD 1080 video clip taken with 25p
RRP: AU$6899 (physique solely); US$3899
- Construct: 9.0
- Ease of use: 8.5
- Autofocusing: 9.0
- Nonetheless picture high quality JPEG: 9.0
- Nonetheless picture high quality RAW: 9.0
- Video high quality: 9.0